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In addition to coursework, an essential component of a student's experience at the Clive Davis Institute consists of a robust offering of special events. Through workshops, interviews, panels, performances, demonstrations, and more, faculty and invited guests delve into topics that enhance the knowledge and information presented in our classrooms and studios.
In addition to coursework, an essential component of a student's experience at the Clive Davis Institute consists of a robust offering of special events. Through workshops, interviews, panels, performances, demonstrations, and more, faculty and invited guests delve into topics that enhance the knowledge and information presented in our classrooms and studios.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
The Clive Davis Institute of Recorded Music at New York University is happy to return as the host of this year’s in-person Pop Conference. All events, with the exception of a few remotely scheduled activities, will be held at The Clive Davis Institute, 370 Jay Street, Brooklyn, New York.
The Clive Davis Institute of Recorded Music at New York University is happy to return as the host of this year’s in-person Pop Conference. All events, with the exception of a few remotely scheduled activities, will be held at The Clive Davis Institute, 370 Jay Street, Brooklyn, New York.
The Clive Davis Institute of Recorded Music at New York University is happy to return as the host of this year’s in-person Pop Conference. All events, with the exception of a few remotely scheduled activities, will be held at The Clive Davis Institute, 370 Jay Street, Brooklyn, New York.
The Clive Davis Institute of Recorded Music at New York University is happy to return as the host of this year’s in-person Pop Conference. All events, with the exception of a few remotely scheduled activities, will be held at The Clive Davis Institute, 370 Jay Street, Brooklyn, New York.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
Titled 'SPARK!,' this annual showcase highlights a group of graduating seniors from the Clive Davis Institute, hand-selected to perform their artistry to a room full of leading industry professionals, faculty, families, and friends!
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.