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In addition to coursework, an essential component of a student's experience at the Clive Davis Institute consists of a robust offering of special events. Through workshops, interviews, panels, performances, demonstrations, and more, faculty and invited guests delve into topics that enhance the knowledge and information presented in our classrooms and studios.
In addition to coursework, an essential component of a student's experience at the Clive Davis Institute consists of a robust offering of special events. Through workshops, interviews, panels, performances, demonstrations, and more, faculty and invited guests delve into topics that enhance the knowledge and information presented in our classrooms and studios.
Executive Vice President of A&R at Warner Bros. Records (he signed The Weeknd, Omar Apollo, Maggie Rogers, etc.)
Friday September 16th at 7:30 PM ET at Lincoln Square Cinema (at 65th Street / Broadway)
Sunday September 18 @ 8 pm Acclaimed composer, songwriter, bassist, actor (and CDI Instructor) Michael Thurber expresses himself through many vernaculars of music, including jazz, funk, classical and theater.
Monday, September 19th 3:00 - 5:00 PM ET The first Asian woman in hip hop, Sophia Chang is the music business matriarchitect who managed Ol’ Dirty Bastard (RIP), RZA, GZA, D’Angelo, Raphael Saadiq, Q Tip, and A Tribe Called Quest and she worked with Paul Simon.
THE CDI ARTIST RESIDENCY: DAWN RICHARD - A ONE-WEEK ARTIST RESIDENCY AT NYU’S CLIVE DAVIS INSTITUTE OF RECORDED MUSIC
THE CDI ARTIST RESIDENCY: DAWN RICHARD - A ONE-WEEK ARTIST RESIDENCY AT NYU’S CLIVE DAVIS INSTITUTE OF RECORDED MUSIC
THE CDI ARTIST RESIDENCY: DAWN RICHARD - A ONE-WEEK ARTIST RESIDENCY AT NYU’S CLIVE DAVIS INSTITUTE OF RECORDED MUSIC
THE CDI ARTIST RESIDENCY: DAWN RICHARD - A ONE-WEEK ARTIST RESIDENCY AT NYU’S CLIVE DAVIS INSTITUTE OF RECORDED MUSIC
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
The Clive Davis Institute of Recorded Music at New York University is happy to return as the host of this year’s in-person Pop Conference. All events, with the exception of a few remotely scheduled activities, will be held at The Clive Davis Institute, 370 Jay Street, Brooklyn, New York.
The Clive Davis Institute of Recorded Music at New York University is happy to return as the host of this year’s in-person Pop Conference. All events, with the exception of a few remotely scheduled activities, will be held at The Clive Davis Institute, 370 Jay Street, Brooklyn, New York.
The Clive Davis Institute of Recorded Music at New York University is happy to return as the host of this year’s in-person Pop Conference. All events, with the exception of a few remotely scheduled activities, will be held at The Clive Davis Institute, 370 Jay Street, Brooklyn, New York.
The Clive Davis Institute of Recorded Music at New York University is happy to return as the host of this year’s in-person Pop Conference. All events, with the exception of a few remotely scheduled activities, will be held at The Clive Davis Institute, 370 Jay Street, Brooklyn, New York.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
Titled 'SPARK!,' this annual showcase highlights a group of graduating seniors from the Clive Davis Institute, hand-selected to perform their artistry to a room full of leading industry professionals, faculty, families, and friends!
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.
This series is meant to offer writers and scholars with books on all kinds of popular music, whether recently published or still in progress, a chance to connect with a deeply interested community of readers.