Applying

The application for the NYU Grad Acting Program is now live! 

In a typical year, the Grad Acting Program will personally audition more than 800 students in order to select an ensemble of 16 actors. Ideally, each ensemble is diverse, both in cultural background and practical experience; we place a high value on having actors from across all of life’s spectrum sharing their backgrounds with their classmates. Each actor’s story is unique and each brings something important to the ensemble.

At Grad Acting, we are acutely aware of the costs associated with a three-year graduate program and are humbled by the sacrifice that many students (and their families) make to come here.  Increasing our pool of financial aid is our Number One priority and we have numerous scholarships (including full tuition), funded aid awards, and work study packages to offer our incoming students.  Please don’t let concerns about finances keep you from applying or auditioning:  we strive to work with each individual student to make it possible for them to attend Grad Acting.

The Application Process

The process of applying to any graduate acting program can be intimidating and confusing. To help make this process as clear and as easy for you as possible, we suggest taking a tour of our website. Please begin with the steps below.

Before You Apply

To apply to the Grad Acting program you must:

  1. Have a bachelors degree or be in the process of completing one. All accepted candidates to NYU’s Grad Acting MFA are expected to have completed an undergraduate degree before starting the program. Exceptions are rarely granted and require an appeal to the Dean of the school.
  2. Complete the general Tisch Graduate Application online. For more details on this application, visit the Tisch Graduate Admissions page.
  3. Audition.
  4. You may apply to the program a maximum of 3 times.

Grad Acting Information Sessions

The Office of Graduate Admissions at NYU Tisch School of the Arts and the Grad Acting department will be holding a series of virtual informational sessions that will cover the MFA Grad Acting program and how to apply for the Fall 2023 admissions cycle. All sessions will be moderated by members of the department & Graduate Admissions staff. 

MFA GRAD ACTING INFORMATION SESSIONS

Location: Zoom

Dates (click on the links to RSVP for a session)

All times are Eastern Time (ET)

September 13th, 12:00 - 1:00 PM

October 14th, 11:00 AM - 12:00 PM

November 15th, 10:00 - 11:00 AM

December 6th, 12:00  - 1:00 PM

How To Apply

Applications are now open for Fall 2023. You can submit your application online

Deadline to apply for virtual auditions: November 28, 2022

Deadline to register for a virtual audition: November 30, 2022 

Deadline to apply and register for in-person auditions: January 3, 2023

Do not send your headshot/résumé or personal statement to the Office of Graduate Admissions or attach them to your online application.Four monologues and a song. Monologues should be classical and contemporary, both comedic and dramatic, two being in verse (rhymed or unrhymed).

 

Specific Requirements:

  • Two contemporary pieces (1919 to Present).

  • Two classical pieces (2500 BCE to c.1918).

  • Please bring three printed copies of each text (in English) to the audition.

  • No piece should be longer than 2 minutes and 25 seconds.


Advice on Selection & Preparation:

 

  • Examples of classical authors include: Anonymous, Juan Ruiz de Alarcón, Aphra Behn, Bhasa, Pedro Calderón de la Barca, Pierre Corneille, Euripides, Kalidasa, Jesús Lara, Federico García Lorca, Ben Jonson, Lope de Vega, John Webster, and William Shakespeare. Examples of verse translators/ adaptors might include: Christopher Hampton, Wole Soyinka, Femi Osofisan, José Rivera, Richard Wilbur, David Ives, Nilo Cruz, Ezra Pound, Tony Harrison, Ranjit Bolt, Caryl Churchill, Adrian Mitchell, Anne Carson, Derek Walcott, and Jo Carson among others. 
  • Please avoid selecting multiple pieces by the same author (Shakespeare excepted).
  • Regarding pieces in verse (whether contemporary or classical) — we’re looking for you to “lift the verse off the page.” By that we mean, how do you take these words and make them feel like they spring from your own thoughts? We are not concerned about you speaking Shakespeare or Lorca or Tupac or Eminem ‘correctly’. Rather than only a poetic recitation of the verse, we hope to feel a sense of your imagined scene partner or circumstances.

Four monologues and a song. Monologues should be classical and contemporary, both comedic and dramatic, two being in verse (rhymed or unrhymed).

 

Specific Requirements:

  • Two contemporary pieces (1919 to Present).

  • Two classical pieces (2500 BCE to c.1918).

  • Please bring three printed copies of each text (in English) to the audition.

  • No piece should be longer than 2 minutes and 25 seconds.


Advice on Selection & Preparation:

 

  • Examples of classical authors include: Anonymous, Juan Ruiz de Alarcón, Aphra Behn, Bhasa, Pedro Calderón de la Barca, Pierre Corneille, Euripides, Kalidasa, Jesús Lara, Federico García Lorca, Ben Jonson, Lope de Vega, John Webster, and William Shakespeare. Examples of verse translators/ adaptors might include: Christopher Hampton, Wole Soyinka, Femi Osofisan, José Rivera, Richard Wilbur, David Ives, Nilo Cruz, Ezra Pound, Tony Harrison, Ranjit Bolt, Caryl Churchill, Adrian Mitchell, Anne Carson, Derek Walcott, and Jo Carson among others. 
  • Please avoid selecting multiple pieces by the same author (Shakespeare excepted).
  • Regarding pieces in verse (whether contemporary or classical) — we’re looking for you to “lift the verse off the page.” By that we mean, how do you take these words and make them feel like they spring from your own thoughts? We are not concerned about you speaking Shakespeare or Lorca or Tupac or Eminem ‘correctly’. Rather than only a poetic recitation of the verse, we hope to feel a sense of your imagined scene partner or circumstances.

Auditions / Callbacks

Please note, we will not be accepting walk-ins for any of our in-person auditions.

NYC Auditions In-Person

Deadline to apply and register for in-person auditions: January 3rd, 2023

In-Person Audition Dates:

Friday, January 13th

Saturday, January 14th

Thursday, January 19th

Friday, January 20th

Sunday, January 22nd

Monday, January 23rd

Audition Tour Dates

Chicago: January 31st & February 1st, 9am - 6pm

San Francisco: February 4th & 5th, 9am - 6pm

Final Callback Weekend: March 4, 5, 6 & 7

Audition dates and times are subject to change and will be available to select when you submit your application.

Please be prepared to hold the full day for your first day of auditions. We may run late, so it is best to expect that. Please keep your schedule open on the day that you register for.

Proof of vaccination is required for all in-person auditions. Must provide proof of being fully vaccinated against COVID-19 and boosted (if eligible, based on CDC criteria) with an FDA-authorized or WHO-listed vaccine.

Documentation must include:

  • Name
  • Birthdate
  • Dates of doses
  • Vaccine manufacture for each dose
  • Documentation must be in English

Note: If the documentation proof you provide does not meet these requirements, you will not be allowed access to NYU settings and NYU-sponsored activities, including those that take place off campus.

What You Have to Prepare

1. Your audition. 

Four monologues and approximately 16 bars of a song. Monologues should be classical and contemporary, both comedic and dramatic, two being in verse (rhymed or unrhymed).

Specific Requirements:

  • Two contemporary pieces (1919 to Present).

  • Two classical pieces (2500 BCE to c.1918).

  • No piece should be longer than 2 minutes and 30 seconds.

Advice on Selection & Preparation:

  • Examples of classical authors include: Anonymous, Juan Ruiz de Alarcón, Aphra Behn, Bhasa, Pedro Calderón de la Barca, Pierre Corneille, Euripides, Kalidasa, Jesús Lara, Federico García Lorca, Ben Jonson, Lope de Vega, John Webster, and William Shakespeare. Examples of verse translators/ adaptors might include: Christopher Hampton, Wole Soyinka, Femi Osofisan, José Rivera, Richard Wilbur, David Ives, Nilo Cruz, Ezra Pound, Tony Harrison, Ranjit Bolt, Caryl Churchill, Adrian Mitchell, Anne Carson, Derek Walcott, and Jo Carson among others. 
  • Please avoid selecting multiple pieces by the same author (Shakespeare excepted).
  • Regarding pieces in verse (whether contemporary or classical) — we’re looking for you to “lift the verse off the page.” By that we mean, how do you take these words and make them feel like they spring from your own thoughts? We are not concerned about you speaking Shakespeare or Lorca or Tupac or Eminem ‘correctly’. Rather than only a poetic recitation of the verse, we hope to feel a sense of your imagined scene partner or circumstances.

2. A full-face photograph (headshot).

3. A detailed résumé listing your prior acting experience.

4. A personal statement in essay form (approximately 500 words or two pages, typed and double-spaced). Write freely and personally about yourself and your acting. It will not be seen as a sample of your literacy, or as a test of your character. Tell us why you are applying here to NYU’s Grad Acting Program (as opposed to a general interest in graduate school), what you expect the experience to be like, and what you would like to accomplish. Write about your life, past and present; how you get along with people, the world; likes, dislikes (in theatre, literature, golf, anything). The personal statement will be instrumental in helping the auditors make a final decision about your professional abilities. It will be read only by the chair and designated faculty in strict confidence.

Callbacks

Approximately 60 applicants from the first round of global auditions will be asked to come to New York for two of three available days in March 2023 for the final callback round. The entering class of 16 students will be selected from the March callback.

If you are called back, you will be given specific instructions as to how to prepare for your callback “weekend.”

What to Prepare

What You Have to Prepare

1. Your audition. 

Four monologues and approximately 16 bars of a song. Monologues should be classical and contemporary, both comedic and dramatic, two being in verse (rhymed or unrhymed).

Specific Requirements:

  • Two contemporary pieces (1919 to Present).

  • Two classical pieces (2500 BCE to c.1918).

  • No piece should be longer than 2 minutes and 30 seconds.

Advice on Selection & Preparation:

  • Examples of classical authors include: Anonymous, Juan Ruiz de Alarcón, Aphra Behn, Bhasa, Pedro Calderón de la Barca, Pierre Corneille, Euripides, Kalidasa, Jesús Lara, Federico García Lorca, Ben Jonson, Lope de Vega, John Webster, and William Shakespeare. Examples of verse translators/ adaptors might include: Christopher Hampton, Wole Soyinka, Femi Osofisan, José Rivera, Richard Wilbur, David Ives, Nilo Cruz, Ezra Pound, Tony Harrison, Ranjit Bolt, Caryl Churchill, Adrian Mitchell, Anne Carson, Derek Walcott, and Jo Carson among others. 
  • Please avoid selecting multiple pieces by the same author (Shakespeare excepted).
  • Regarding pieces in verse (whether contemporary or classical) — we’re looking for you to “lift the verse off the page.” By that we mean, how do you take these words and make them feel like they spring from your own thoughts? We are not concerned about you speaking Shakespeare or Lorca or Tupac or Eminem ‘correctly’. Rather than only a poetic recitation of the verse, we hope to feel a sense of your imagined scene partner or circumstances.

2. A full-face photograph (headshot).

3. A detailed résumé listing your prior acting experience.

4. A personal statement in essay form (approximately 500 words or two pages, typed and double-spaced). Write freely and personally about yourself and your acting. It will not be seen as a sample of your literacy, or as a test of your character. Tell us why you are applying here to NYU’s Grad Acting Program (as opposed to a general interest in graduate school), what you expect the experience to be like, and what you would like to accomplish. Write about your life, past and present; how you get along with people, the world; likes, dislikes (in theatre, literature, golf, anything). The personal statement will be instrumental in helping the auditors make a final decision about your professional abilities. It will be read only by the chair and designated faculty in strict confidence.

Callbacks

Approximately 60 applicants from the first round of global auditions will be asked to come to New York for two of three available days in March 2023 for the final callback round. The entering class of 16 students will be selected from the March callback.

If you are called back, you will be given specific instructions as to how to prepare for your callback “weekend.”

International Students

Applying for International Students

International students who are unable to travel for the first round of in-person auditions may audition virtually in December. If you are under consideration for March Callbacks, you will be required to attend in-person.

Note: International applicants need to speak fluent English, as we are primarily training actors for theater, film and television in the English language.

Tuition & Financial Aid

SCHOLARSHIPS

Grad Acting assesses the need and merit of every applicant. A full range of scholarships covering some to most of tuition costs could be offered. Every applicant will have a clear picture of their scholarship offer if they are offered admission to the program.

BEFORE APPLYING

We ask that all applicants to the Grad Acting Program do a realistic assessment of their financial situation and consider how they will budget their resources wisely so that their cost of training isn’t a burden to their career. We want our graduates to fulfill their dreams rather than have them deferred because of unmanageable debt.

It is essential that you (or you, in consultation with your family) have a clear financial picture of what lies ahead. We can and will supply as much information as we can, but, ultimately the decision about applying (and the consequences of admission to a three-year program) is a personal one. Please don’t portray your finances inaccurately if you think it will help you gain admission. We look for talent, above all, so your chances are not necessarily improved by giving us (or yourself) a financial prognosis you cannot sustain.

COST OF ATTENDANCE

TUITION*                      $68,024

FEES*                            $2,837

HEALTH INSURANCE*    $3,660

ESTIMATED LIVING EXPENSES*

Room and board:             $25,170

Transportation:                $2,044

Personal Expenses:           $3,500

*Figures subject to change.

The following links provide information about borrowing, budgeting and paying back loans:

For the general guidelines and information about Tisch School of the Arts financial aid and scholarships, go to: Tisch School of the Arts Financial Aid Page.

For the cost of tuition and fees, which do not include living expenses, go to: Tisch School of the Arts Costs.

For instructions on the Financial Aid process, see: How to Be Considered for Financial Aid.

For valuable advice on Federal loans and managing your debt, go to the government handbook by clicking on: Advice on Federal Loans and Debt.

Scholarships

The Tisch School of the Arts offers a limited number of tuition scholarships. Tuition scholarships are funds applied toward the cost of tuition. There is no separate application for them, and all students are automatically considered after you apply for admission and indicate your interest in financial aid on the admission application.

Awards are made on the basis of academic excellence, demonstrated ability, professional promise, and financial need. Evaluations are made by the Graduate Acting Program and by the NYU Office of Financial Aid.

The Free Application for Federal Student Aid (FAFSA) and the Tisch Application for Graduate Admission contain all the information needed for scholarship determination. Please keep in mind that requesting financial aid will have no effect on the admission decision.

Federal Aid and the Free Application for Student Aid (FAFSA)

Need-based federal financial assistance in the form of loans and student employment is available to qualified students through the federal government. It is available to U.S. citizens and permanent residents only. Graduate students may qualify for the Federal Subsidized Stafford Student Loan or the Federal Unsubsidized Stafford Student Loan programs. Students may also qualify for student employment through the Federal Work-Study Program.

To be considered for this federal and/or state aid, you MUST file the FAFSA. Tisch School of the Arts encourages all U.S. citizens and permanent residents to complete the Free Application for Federal Student Aid (FAFSA). After submitting your Tisch application, we strongly encourage you to go online and complete your FAFSA on the Web at: FAFSA Online.

The FAFSA application is available beginning January 1 and should be submitted by February 15. Make sure that you give permission on the FAFSA form for your data to be forwarded to New York University: federal school code number 002785.

Special Financial Circumstances

Applicants can provide to the Office of Graduate Admissions any special financial circumstances they feel would be grounds to be considered for more or less aid. Please provide a separate statement of any details you consider would be useful to us in determining your eligibility for scholarship funding.

Special Note For International Applicants

Tuition scholarships for international students (F-1 and J-1 visas) are extremely limited in number. In general, international applicants are urged to seek aid from outside sources and the government of their home country.

More detailed information on financial aid for international students can be found at Tisch Financial Aid for International Students