We travel, initially, to lose ourselves, and we travel, next to find ourselves. - Pico Iyer
For centuries, travelers have been documenting their journeys to parts unknown. The travel narrative is the “oldest in the world” says travel writer, Paul Theroux. This course examines the history of travel literature and photography, while also challenging each student to document his/her first hand experience of travel to Cuba.
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Program Overview
We will reference a wide range of forms: the essay, the report, the journal, the novel, film, the photograph, and photo essay. We will also explore different points of entry: ethnographer, mapmaker, geographical explorer, photographer, adventurer, social activist and tourist. In doing so, we will hone in on principles of travel writing and photography, along with basic guidelines governing the interaction between word and image. Memory and history as essential components will inform our conversation.
The course will include site visits to 2 locations, exposing the student to everyday life in a rich and complex culture, in addition to brief weekly “walkabouts” to nearby neighborhoods. Students will be asked to document their travel experience in word and image into form worthy of a reader.
IFMTV-UT 2049 | 4 units | Instructor: Alfonso Morgan-Terrero
At the completion of the course, each student will be able to:
1. chart the basic stages/events in the history of travel writing, travel photography and deltiology (history of postcards)
2. recognize the various forms of travel writing, as well as the different points of view or entry.
3. demonstrate a capacity to represent travel experience in work that combines writing with image(s) in a personal approach.
4. articulate the process of deriving a concept and strategy for the final creative project incorporating writing with image.
Equipment Required: Students must bring a point-and-shoot camera of some kind, whether it's an iPhone or more sophisticated DSLR. They must also bring a thumb drive.
"I learned that there are so many different ways to make art, and it can be made and found in truly any kind of environment; surrounding circumstances can never fully stifle the inherent human need for freedom of expression and the natural instinct to create."
Check-In: Thursday, January 2, 2025
Check-Out: Sunday, January 19, 2025
Program dates are tentative and subject to change.
Equipment Requirements: Students must bring a point-and-shoot camera of some kind, whether it's an iPhone or more sophisticated DSLR. They must also bring a thumb drive.
Admissions
The January 2025 application is closed.
Please note: Your passport must be valid for at least 6 months past the end of the program at the time of your application. There are no exceptions.
Note: Students should wait to receive their admissions notification and confirmation that the program is running prior to purchasing airline tickets. Students accepted to the program should purchase refundable airline tickets and/or travel insurance in the event the program is canceled or program dates are changed due to world events. It is strongly recommended that students purchase insurance for trip cancellation, flight cancellation, luggage loss or damage, as well as medical and accident coverage.
Photo by Leo Rothschild
Expenses
January 2025
Undergraduate Tuition: $7,664
Additional Fees Include:
Program Fee (includes housing): $1,178
Airfare: Approximately $750 (Required group flight to/from Havana from New York)
Tickets from group flight are non-refundable and non-transferable.
You will be housed in the Vedado district of Havana in home-stays (casas particulares). Students are provided with breakfast and dinner at their casas.
Double bedroom
Breakfast and dinner included in program costs
Limited laundry facilities on-site
No internet available in residence, but will be available nearby at additional cost