Summer 2019 Graduate Courses

Kubrick

William Simon

May 28 - June 16
Mondays - Thursdays
12:30 - 4:30pm
Room 674
4 points

CINE-GT 2202 / Class # 4350

The films of Stanley Kubrick constitute one of the most innovative bodies of work in the commercial cinema. This course investigates Kubrick’s films in detail with emphasis on their narrative conceptions and structures. The course will explore the uses of irony and voiceover, the representation of the relationship between humans and technology, the centrality of the topic of war, and the relationship of his films to issues of genre.

This course is open to graduate and undergraduate students. Please use the appropriate course number when registering (GT for graduate students, UT for undergraduate students.)

In addition to tuition, there are Media & Production fees totaling $88 for this course.

Film Directors: Mike Leigh

Anna McCarthy

May 28 - June 16
Mondays – Thursdays
6:00 - 10:00pm
Room 674
4 points

CINE-GT 1202 / Class # 1983

Mike Leigh (b. 1943) is considered notable among British filmmakers. His working method is unique and highly collaborative. His directorial vision, remarkably consistent across genres and media, is grounded in a deep understanding of the dramatic potential of ordinary, everyday lives. His subjects range from famous historical figures to middle class individuals to people on the margins of society, each film inviting the viewer to speculate on the human condition. This course's deep dive into one director's oeuvre is an opportunity to explore the nuances of craft, collaboration, and authorship through close analysis and discussion.

This course is open to graduate and undergraduate students. Please use the appropriate course number when registering (GT for graduate students, UT for undergraduate students.)

In addition to tuition, there are Media & Production fees totaling $88 for this course.

Comparative Directors: Disney/Miyazaki

Julian Cornell

June 17 - July 7
Mondays - Thursdays
6:00 - 10:00pm
Room 674
4 points

CINE-GT 1204 / Class # 4351

Walt Disney and Hayao Miyazaki are, arguably, the two best-known and widely acclaimed artists in the history of animated cinema.  Despite obvious differences in style, themes, politics and approach to the animated form, what unites the oueveres of Disney and Miyazaki is their indelible influence on the aesthetics, narratives and cultural significance of animated film and films for children. Founders of two of the most successful independent production houses in cinematic history – the Walt Disney entertainment conglomerate and Studio Ghibli, their films provide insight into the role of autonomous studios in both domestic and global contexts. While Disney’s company has produced innovative films of high aesthetic quality, stunning animation and hegemonic values, Studio Ghibli has managed to equal those lofty artistic standards while crafting complex tales which question the very foundations of the culture from which they emerge.  This course will examine the works of these two artists, producers and production houses in the light of auteur and animation scholarship to interrogate how their respective filmic productions both exemplify and problematize the issue of cinematic authorship and illustrate the cultural function of animation.  Films to be screened will include Snow White, Fantasia, Pinnochio, Alice in Wonderland, Aladdin, Frozen, Grave of the Fireflies, My Neighbor Totoro, Kiki’s Delivery Service, Princess Mononoke, Spirited Away and The Wind Rises.

This course is open to graduate and undergraduate students. Please use the appropriate course number when registering (GT for graduate students, UT for undergraduate students.)

In addition to tuition, there are Media & Production fees totaling $88 for this course.