No where else in the world can you find the range of disciplines in one school. Over the last 50 years as we forged new programs, built our home in New York and expanded to our global academic centers, institutes emerged. Each are built with shared values, common goals, and a priority for putting students first. The result – a place where artists and scholars create the future.
Visiting students and non-majors are invited to take classes during January Term, Spring at Tisch, and Summer. Earn credits towards your major or minor, build your résumé with an internship, or take classes to change careers. Come be inspired by New York City and our international sites.
The Office of Special Programs at Tisch School of the Arts provides access to the arts. Whether you’re an NYU or visiting college student, high school student or working professional, we provide you with the introductory exposure to the performing or cinematic arts and the advanced-level training to grow your craft.
The Cinema Studies Department regularly hosts events that include lectures, screenings, and discussions, including our Wednesday Night Series, which is open to the public. To receive emails about upcoming film-related events within and outside the deparment, feel free to subscribe to our Cinema Studies announcements listserv!
To view past events, check out our Event History page.
To access events only open to Tisch community members, use your NYU NetID to log in.
Michelson Theater, Dept of Cinema Studies, 721 Broadway, 6th Fl 721 Broadway, New York, NY 10003
A live performance and film project that looks at the charged, intimate space of the neighborhood laundromat and the people who work there. Created by Lizzie Olesker and Lynne Sachs.More
Weather Underground co-founders Bernardine Dohrn and Bill Ayers discuss radical protest activities of the 60s and 70s which have gained a renewed significance in the current political climate. Moderated by Prof. Toby Lee.
A live performance and film project that looks at the charged, intimate space of the neighborhood laundromat and the people who work there. Created by Lizzie Olesker and Lynne Sachs.
This work-in-progress examines Ford's integrationist Western, a drama that projected 1960s race relations backwards into a nineteenth-century frontier space in order to appeal to the sympathies of contemporary audiences.