Deborah Kapchan is Associate Professor of Performance Studies at New York University. A Guggenheim fellow, she is the author of Gender on the Market: Moroccan Women and the Revoicing of Tradition (Univ. of Pennsylvania Press 1996), Traveling Spirit Masters: Moroccan Music and Trance in the Global Marketplace (Wesleyan University Press 2007), as well as numerous articles on sound, listening, narrative and poetics. She is translating and editing a volume entitled Poetic Justice: An Anthology of Moroccan Contemporary Poetry, and is also the editor of two recent volumes: Intangible Rights: Cultural Heritage in Transit (2014 University of Pennsylvania Press) and Theorizing Sound Writing (under review). She is currently writing on listening, and collaborating on a sound writing project with Martin Daughtry (NYU Music). She is also conducting an ethnography of the island of Fårö in Sweden.