Allen S. Weiss is committed to both interdisciplinary research and experimental performance across the media. Among his theoretical works are The Aesthetics of Excess (SUNY); Phantasmic Radio (Duke); Breathless: Sound Recording, Disembodiment, and the Transformation of Lyrical Nostalgia (Wesleyan); Feast and Folly: Cuisine, Intoxication, and the Poetics of the Sublime (SUNY); Varieties of Audio Mimesis: Musical Evocations of Landscape (Errant Bodies); and most recently Zen Landscapes: Perspectives on Japanese Gardens and Ceramics (Reaktion). He has also written two gastronomic autobiographies, Autobiographie dans un chou farci (Mercure de France) and Métaphysique de la miette (Argol). His creative work includes Theater of the Ears (a play for electronic marionette and taped voice based on the writings of Valère Novarina), which premiered at CalArts and ended its tour at the Avignon Off Festival; Danse Macabre (a marionette theater for the dolls of Michel Nedjar), which premiered as part of the Poupées exhibition that ASW curated at the Halle Saint Pierre in Paris, and subsequently showed at the In Transit festival at the Haus der Kulturen der Welt in Berlin; and a novel, Le livre bouffon (Le Seuil). His radio productions include L’Indomptable (with Gregory Whitehead) for France Culture; the Hörspiel Glissando as well as Radio Gidayū (a soundscape of Kyoto), both for the Klangkunst program of Deutschlandradio Kultur; and Carmignano, an audio essay on wine for Radio Papesse in Florence. He most recently produced and directed Poupées des ténèbres / Dolls of Darkness, a documentary film about the dolls of Michel Nedjar and the Holocaust. He created the photographic illustrations to Chantal Thomas' latest book, East Village Blues (Le Seuil), which won the Prix Le Vaudeville (2019).