Tony Perucci

Ph.D. '04

Tony Perucci

Tony Perucci is Associate Professor of Performance Studies in the Department of Communication at the University of North Carolina at Chapel Hill, where his scholarly and artistic work examines interventionist performance, postmodern dance, experimental theatre and performance art. His current research focuses on The Six Viewpoints Theory & Practice, and its originator, Mary Overlie. His writing on The Six Viewpoints has appeared as book chapters, in TDR, Performance Research, Movement Research Journal, as well as his forthcoming book, On the Horizontal: Mary Overlie and The Six Viewpoints. He is the author of Paul Robeson and the Cold War Performance Complex (Michigan 2012), and numerous articles on the politics of artistic interventions that irritate public perceptions of "real" and "fake." He is a co-director of the Mary Overlie Legacy Project, and is currently preparing a second edition of Overlie's book, Standing in Space: The Six Viewpoints Theory and Practice.

Current Occupation

Associate Professor of Performance Studies, Department of Communication, University of North Carolina at Chapel Hill

Education

New York University

Ph.D. - Performance Studies

New York, New York

University of North Carolina at Chapel Hill

M.A. - Communication Studies

Chapel Hill, North Carolina

Northwestern University

B.S. - Performance Studies

Evanston, Illinois

Articles & Publications

• “The Future of Dissensus: Performance Postdiplomatic Postdemocracy.” In Performing Statecraft: The Postdiplomatic Theatre of Sovereigns, Citizens, and States. Ed, James R. Ball III. New York: Bloomsbury Methuen Drama (forthcoming 2022).
• “In Memory - Mary Overlie, 1946-2020.” TDR: The Drama Review. 65.1. T249 (2021): 12-14.
• “The Collisions of Reality Friction: Tactics of Structural Ambiguity in Christoph Schlingensief’s Bitte Liebt Österreich.” Performing Arousal: Precarious Bodies and Frames of Representation. Eds. Yana Meerzon and Julia Listengarten. New York: Bloomsbury Methuen Drama, 2021.
• “The Six Viewpoints and the Art of Waiting (to Become Art).” In Affective Movements, Methods and Pedagogies, eds. Anne Harris and Stacy Holman Jones, New York: Routledge, 2021. 158-72.
• “The Actor as Observer-Participant: Mary Overlie, Six Viewpoints, Three Memories.” Performance Research 25.8 (2020): 161-5. 
• "Mary Overlie and the Secret of the Original Anarchist: The Viewpoints and the Undercommons." Performance Research 25.8 (2020): 92-101.
• "Irritational Aesthetics: Reality Friction and Indecidable Theatre." Theatre Journal 70.4 (2019): 473-98.
• "Sordid Ironies and the Short-Fingered Vulgarian: Alison Jackson's Mental Images." TDR: The Drama Review 62.1. T237 (2018): 191-200.