2018 Alumni
PERFORMANCE STUDIES ALUMNI
Our alumni are a large part of what makes Performance Studies special. They come from a wide range of academic, cultural, and artistic backgrounds and contribute their expertise across all concentrations and around the world. Click on the thumbnails below to learn more about them.
B.A. Alumni
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Functions of Space and Performance; Immersive Theater; Performative Functions of Nightlife and Variety Theater; Circus Arts; Brechtian Theory; Performance as a Mechanism and Catalyst for Social Change
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Performance and public transport; theories of movement; labor and performance; Marxism and performance
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PERFORMANCE OF EVERYDAY LIFE; QUEER PERFORMANCE; GENDER PERFORMANCE; THEATRE STUDIES; SOCIAL STRUCTURE ANALYSIS; LINGUISTICS
M.A. Alumni
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PERFORMANCE STUDIES; ACTIVISM THEATRE; VIDEO AND PERFORMANCE ART
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DANCE; PSYCHOANALYSIS; PHILOSOPHY; FEMINISM
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TIME-BASED ART; EXPERIMENTAL ETHNOGRAPHY; MOVEMENT STUDIES; MULTI-RACIAL IDENTITY THEORY
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ENVIRONMENTAL JUSTICE AND ECOFEMINISM; TRANSCORPOREALITY; TRAUMA; GENDER AND QUEER STUDIES
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ECO-CENTRIC THEATER; ECOPOETICS; PERFORMANCE THEORY; EXPERIMENTAL THEATER & PERFORMANCE ART
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Performance Studies
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TRANS STUDIES; TRANSNATIONAL FEMINISM; POETRY; PERFORMATIVE WRITING; TRANSFORMATIVE JUSTICE; HAUNTOLOGY
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QUEER ARCHIVES; RE-ENACTMENTS; PERFORMANCE PEDAGOGY
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ARTS-BASED METHODOLOGIES; IMPROVISED THEATRE AND GAMES; LANGUAGE, IDENTITY, AND STEREOTYPES; FEMINIST THEORY
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EMBODIMENT; DANCE; PERFORMANCE; INTERDISCIPLINARITY; RACE; ETHNICITY; NEOCOLONIOLISM (CONCENTRATION IN THE REGION OF FORMER YUGOSLAVIA); CRITICAL THEORY
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DECENTRALIZATION OF WESTERN GLOBAL SENSE-MAKING; PERFORMANCES OF CINEMATIC TEMPORALITY; SEXUALITY AND OTHER PERFORMANCES OF SELF-DISCLOSURE ON SOCIAL NETWORKS
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CRITICAL RACE THEORY/WHITENESS STUDIES; DANCE/MOVEMENT STUDIES; (ORDINARY) AFFECT THEORY
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QUEER & FEMINIST STUDIES; CRITICAL THEORY; TRAUMA/AFFECT/MEMORY STUDIES; SEXUAL STUDIES; PUBLIC DISRUPTION & RUPTURAL PERFORMANCE
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DANCE HISTORY, CHOREOGRAPHY, AND CRITICISM; THE POWER OF STORYTELLING; THE IMPACT OF SOCIAL MODELS OF ARTS FUNDING
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SOUND STUDIES; PERFORMANCE INSTALLATION; TECHNOLOGY AND PERFORMANCE; PERFORMANCE INTERACTIVITY; COMMUNICATION IN COLLABORATIVE PERFORMANCE; IMPROVISATION; MINIMALISM
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PERFORMANCE STUDIES; ETHNOGRAPHY; PERFORMANCE ART; PROTEST ART
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THE BODY; FEMALE BODIES ONSTAGE; ENERGY/AFFECT CULTIVATION AND THEATER ARCHITECTURE; THE CHOREOGRAPHED AUDIENCE AND ETIQUETTE
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Theatre, Musical Theatre
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DIGITAL ART; SOCIAL MEDIA; GENDER NORMS; SOCIAL CONSTRUCTS
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PERFORMANCE POETRY; THEATER AND MOVEMENT ART; PERFORMANCE AND IDENTITIES IN SOCIAL MEDIA AND THE DIGITAL WORLD
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BIOPOLITICAL PERFORMANCE; SIDESHOW, MEDICINE, TECHNOLOGY AND THE BODY; ABJECTION, COLLECTIVE JOY AND THE POLITICS OF PLAY; ARCHITECTURES OF PARTICIPATION AND SPACES OF KNOWLEDGE ACCRETION; EVIL CLOWNS
Ph.D. Alumni
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THEORIES OF THE SINGING BODY; POPULAR MUSIC STUDIES; VOICE AND EMBODIMENT IN MUSICAL THEATRE AND FILM; BLACK PERFORMANCE; CRITICAL RACE THEORY; GLOBAL PERFORMANCE OF POPULAR MUSIC AND MUSICALS
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RACE, GENDER, AND SEXUALITY; EMPIRE AND DECOLONIZATION; THE POLITICS OF AESTHETICS AND THE AESTHETICS OF POLITICS; POST-WORLD WAR II EXPERIMENTAL AESTHETICS; INTERDISCIPLINARITY; SPECTATORSHIP AND PARTICIPATION; MARXIST CRITIQUES OF NEOLIBERALISM; PSYCHOANALYTIC ACCOUNTS OF COLLECTIVE EXPERIENCE; AFFECTS, MOODS, AND ATMOSPHERES; EXPERIMENTAL CRITICISM