Renaldi creates spontaneous and fleeting relationships between strangers for the camera, often pushing his subjects beyond their comfort levels.

Kimmel Windows Galleries will display excerpts of the newly released anthology Ghost Fishing: An Eco-Justice Poetry Anthology alongside living plants native to Puerto Rico for 24-hour public viewing from September 10, 2018 through November 1, 2018.

If you have any questions about ITP & IMA's very own journal of emerging media, how to get involved, or how to be a part of our very first Adjacent conference, do stop by and let's have a chat!

At the open house information sessions, Dan O’Sullivan, Chair, and Midori Yasuda, Admissions Administrator, will explain how ITP attracts students from very diverse backgrounds who want to experiment with interactivity, creativity and technology in the real and digital worlds.

Drawing on his recently published book, Los Angeles Documentary and the Production of Public History, 1958–1977 (Univ. of California Press 2018), Joshua Glick will discuss how the city emerged as a hub for nonfiction media, one in which documentarians working between the election of John F. Kennedy and the Bicentennial created conflicting visions of the recent and more distant American past.

With the aim of better understanding how memory (individual and collective) has been mobilized in a variety of political performances of the past and what this implies for the present and the future of both politics and performance, scholars from NYU Performance Studies will join with historians from the International Society for Cultural History to discuss recent shifts in the theorization of performance relative to developments in transnational and "connected” histories.