Want to get resume feedback or ask a question regarding your career pursuits? Join TOCD for Express Chats! This is your opportunity to meet with a TOCD counselor to discuss anything and everything career.

Want to get resume feedback or ask a question regarding your career pursuits? Join TOCD for Express Chats! This is your opportunity to meet with a TOCD counselor to discuss anything and everything career.

This monthly series pairs 16mm films from the Cinema Studies Archive with lo-fi gems, oddball curiosities, and pre-internet obscurities.

The Lunar New Year, also known as the Spring Festival, kicks off on Saturday, February 10, 2024. This year we’re welcoming the Year of the Wood Dragon. Countries across Asia each hold unique festivities during this commemorative time.

The Lunar New Year, also known as the Spring Festival, kicks off on Saturday, February 10, 2024. This year we’re welcoming the Year of the Wood Dragon. Countries across Asia each hold unique festivities during this commemorative time.

David Grimm's brand new adaptation of Molière's final play; a searing satire of doctors and patients and the lengths to which they'll go, set in 1978 Malibu Beach. Boogie on down!

Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility.

The Department of Photography & Imaging is proud to present the 2024 BFA Thesis Exhibition at New York University Tisch School of the Arts!

Dean Green will be hanging out in the Riese Lounge to meet with students. Come by and introduce yourself, share any ideas or concerns, and enjoy lunch from Vanessa's Dumpling House in celebration of Lunar New Year.

Please join us for the opening reception for the show, which will be held on February 9th, 2024, from 5:00 PM to 8:00 PM and is open to the general public with an RSVP.

Pulling from their Queer Film Classics volume, Sheaffer's talk examines Sally Potter's perennially and progressively queer adaptation of Virgina Woolf's Orlando (1928).