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A DISCUSSION & CELEBRATION OF THE NEW BOOK BY MALIK GAINES, WITH PANELISTS RICARDO MONTEZ, FRED MOTEN, & ALEXANDRA VASQUEZ, WITH A RESPONSE BY MALIK GAINES
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.
World premiere of "Eyes of the Journey," a film by Rodrigo Otero Heraud with Hipólito Peralta Ccama, Produced by Maja Tillmann Salas. Co-sponsored by the Center for Latin American and Caribbean Studies and the Department of Cinema Studies at NYU.
Join us as ITP welcomes Alumnus Yuri Sunahara to talk about her career both before and after ITP.
The Ludwig Foundation, a non-profit organization based in Havana, is coming to ITP to discuss their use of new technologies to protect and promote contemporary Cuban artists and culture.
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.
NYU Tisch Future Artists Open House for free spring 2018 programs: Future Dancers and Dancemakers, Future Dramatic Writers, Future Filmmakers, Future Music Moguls, Future Film Scholars, Future Game Designers, Future Imagemakers, and Future Theatre Artists.
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.
Meet NBCUniversal’s Karen Horne to learn how NBC discovers, cultivates, and showcases new talent! Initiatives include Writers on the Verge, the Directing Fellowship, Late Night Writers Workshop, and DiverseCity Casting.
a panel and conversation with Cassils, Titus Kaphar, Chase Strangio, Joel Sanders, and Jack Halberstam
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.
How might The Twilight Zone (CBS, 1959-1964) and its creator Rod Serling afford us an opportunity to rethink the operations of mid-twentieth century U.S. racial liberalism? A talk by Melissa Phruksachart.
The IFC Center is proud to present an exclusive screening of Clive Davis: The Soundtrack of our Lives. Come hear the story of the legendary music mogul.
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.
Join us as writer and educator Candice Benbow and BuzzFeed's Darian Symoné Harvin discuss the viral response piece "4:43" in response to Jay Z's recently released album 4:44.
Robert Yang is a game designer and teacher who is the most recent addition to the Game Center's full-time faculty.
Michael Nieling of Ocupop stops by to talk about his work, and the challenges that come with being a designer.
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.
This year marks the 30th anniversary of lifting the Martial Law and Taiwan’s march toward democracy. Films chosen for this program cover the past three decades of Taiwan cinema to reflect upon the lives of people who are directly or indirectly affected by the Martial Law and its passing. Screenings include SUPER CITIZEN KO 《超級大國民》(Wan Jen, 1995, 104m) and HAND IN HAND 《牽阮的手》(Juang Yi-tzeng, Yen Lan-chuan, 140m), followed by discussion with the program curators and filmmakers. Co-sponsored by the Taipei Cultural Center in New York, Ministry of Culture, Republic of China (Taiwan) and the Asian Film & Media Initiative in the Department of Cinema Studies.
ITP will be hosting a Open House where prospective students can tour the department and ask questions about the program and admissions process.
Stop by a workshop run by ITPers Or Fleisher and Dror Ayalon and learn how to build interactive music experiences.
ITP will be hosting a Community Day to share plans and ideas for the upcoming Processing Day at MIT Media Lab this Fall.
Industry Recruiter Joanne Weaver stops by ITP to interview and resume tips.
Following Mette Ingvartsen's "7 Pleasures" at NYU Skirball, we invite you to join the Department of Performance Studies for a post-show conversation with André Lepecki.
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.
Come meet James Shinault, VP of Festival Projects and Fan Experiences at AC Entertainment, the local Tennessee producer behind the beloved Bonnaroo Music & Arts Festival. From intern to VP, come learn his story and how YOU, too, can start your career at Bonnaroo.
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.
Information session about the Shakespeare in Performance at RADA study abroad program in London.
Learn the tools to make the strongest connection quickly, pitch with conviction, and create the most memorable interaction.
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.
A career in the arts is a collaborative effort. Join TOCD and Tisch Talent Guild as we bring together students and alumni of all disciplines. Come meet your fellow Tischies. Share passions, projects and find like-minded artists to work and create with now and in the future! Refreshments served.
Learn the tools to make the strongest connection quickly, pitch with conviction, and create the most memorable interaction. This workshop is for everyone in the entertainment industry who wants to gain the confidence to network and pitch with maximum impact.
In many ways an animating spirit and catalyzing agent of the NYC underground film scene from the 1980s to the present, Bradley Eros' radical, sumptuous expanded cinema works stand at the forefront of a movement to redefine our understanding of film as an art form. For his Experimental Lecture, Eros will “attempt to dismantle a few beliefs, by prying history loose, not nailing it down. His lecture will take the form of a series of questions, interrupted by quotations, collaborations, expanded and contracted cinema, jokes & aphorisms, music, poetry, and surprise. Eros will talk on the nature of process, the immaterial, unfixed forms, hybrid works, resistance, desire & its discontents.
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.