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Pharrell Williams, performer, songwriter, producer, designer, and entrepreneur, will sit down for a rare, in-depth, career retrospective discussion with Jason King, professor at the NYU Tisch School of the Arts Clive Davis Institute of Recorded Music and host of NPR Music’s R&B initiative “I'll Take You There”, at 7:30 p.m., Oct. 26, at New York City’s Town Hall.
The Moving Image Archiving and Preservation (MIAP) Program in the Department of Cinema Studies at NYU's Tisch School of the Arts is hosting an information session for prospective students who want to learn more about the program and about careers in the field of audiovisual archiving and preservation.
Archivist and curator Jon Gartenberg (MA, Cinema Studies) provides an overview of the genre of City Symphony Films produced in New York City.
This summer, Rolling Stone named Bob Dylan the greatest songwriter of all time. But he hasn’t had a new song on the radio since 1990. His new albums continue to sell to the faithful but many people find his voice unlistenable. Our panel will discuss why Dylan still matters and analyze some of his specific songs. A Q&A with the panelists will follow.
Formerly known as Bagels With Red.
Yasufumi Nakamori, curator of For a New World to Come and associate curator of photography, Museum of Fine Arts, Houston; and Shelley Rice, professor of history of photography, NYU, will explore issues in Japanese experimental photography of the 1970s and beyond, in a global context.
Marc Karlin (1943-1999) is widely regarded as Britain’s most important but least known director of the last half century. His far-reaching essay films deal with working-class and feminist politics, international leftism, historical amnesia and the struggle for collective memory, about the difficulty but also the necessity of political idealism in a darkening world.
PETER MENSCH
FUSION FILM FESTIVAL invites you to a screening and filmmaker reception for Tisch Alum Leah Meyerhoff on Friday October 30 at 7pm in Tisch Theatre 006.
Marc Karlin (1943-1999) is widely regarded as Britain’s most important but least known director of the last half century. His far-reaching essay films deal with working-class and feminist politics, international leftism, historical amnesia and the struggle for collective memory, about the difficulty but also the necessity of political idealism in a darkening world.