Renaldi creates spontaneous and fleeting relationships between strangers for the camera, often pushing his subjects beyond their comfort levels.

<em>Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness</em>includes one hundred self-portraits created by one of the most powerful visual activists of our time. In each of the images, Muholi drafts material props from her immediate environment in an effort to reflect her journey, explore her own image and possibilities as a black woman in today’s global society, and—most important—to speak emphatically in response to contemporary and historical racisms.