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Featuring the work of 19 graduating seniors in the Tisch Department of Photography & Imaging
A Lunchtime Workshop Series with Dr. Marta Moreno Vega, President and Founder Caribbean Cultural Center African Diaspora Institute, Adjunct Professor Department of Art & Public Policy, NYU Tisch School of the Arts. These talks will engage students in the participatory process of defining voice and developing a creative public project addressing the public discourse of now.
Featuring the work of 19 graduating seniors in the Tisch Department of Photography & Imaging
This workshop will provide you with an overview of how to write a standard project proposal to a foundation. Attendees are encouraged to bring ideas you would like to see funded
A talk by Michael Gillespie (PhD 2007). The talk will consider the idea of black film in the terms of film blackness with attention to death and film form. With a focus on a cluster of short films, the talk poses new critical prerogatives for the idea of black film in our contemporary moment. Part of CS50.
Scales and subjectivities of vision and photography are transforming under the influence of remote-sensing arrays, machine visions, and global observation systems. Computational and composite photography capture not just an image in time, but also in space, permitting 1:1 digitization and replication of spatial objects, bodies, and landscapes. Remote sensing offers at once extended apparatuses of viewing, feeling, and operating in the world, as well as expanded dynamics of population control. These large-scale spatial mapping technologies are primarily deployed, administered, and understood by economically dominant world powers and multinational scientific consortia. Asymmetrical power relations are thus reproduced and amplified at the planetary scale. There is an urgency for these images and models to be legible to wider publics and constituencies than solely at the levels of industry, military, and governance. How can artists operate within these scales of perception for new imaginative and political potential? What kinds of interventions, trespasses, transformative subjectivities are occurring through the deliberate decolonization and appropriation of networks of remote sensing by those on the peripheries of power?
Featuring the work of 19 graduating seniors in the Tisch Department of Photography & Imaging
Dean Green hangs out with students.
The Brown Institute at Columbia Journalism School will be hosting an info session at ITP on Wednesday, March 7th at 11:00am.
PS students, studying got you feeling chicken cordon bleu? Come take a break with Performance Studies to chow down and cheer up. PS Wednesdays are going to be the taco of the town, you won’t wonton miss this. Each week a different food will be featured. It’s sure to be soup-er fun!
Featuring the work of 19 graduating seniors in the Tisch Department of Photography & Imaging
Collaboration between Pato Hebert, Hetrick-Martin Institute, Anooj Bhandari and groups of young queer people of color from HMI and NYU
Artist Carlos Motta speaks about recent projects, which span sculpture, video, performance, social practice and publication. Motta’s work directs attention to the politics of gender and sexuality, from the pre-Columbian to the transnational present, “in an attempt to create counter narratives that recognize suppressed histories, communities, and identities.”
BLACK PORTRAITURE[S] IV: The Color of Silence is the eighth conference in a series of conversations about imaging the black body. We invite artists, activists, and scholars to reflect on the visual expressions of national imaginaries and political ideologies that negate racial differences and render black subjects invisible. Such ideologies are prevalent in Latin America and the Caribbean, where metaphors of mixture (mestizaje or mestiçagem) and racial harmony ignore inequality and discrimination. Similar formulations are to be found elsewhere, however, as in republican France, or among proponents of a post-racial United States, or in references to a South African “rainbow nation”, or in Jamaica’s well-known “out of many, one people” motto. Presenters will engage a range of historical and contemporary topics such as biennales, exhibitions, movements, individual artists and collectives, art markets, politics, tourism, sites of memory, Afrofuturism, fashion, dance, music, film, art, and photography. We invite papers and panel proposals on relevant topics.
Featuring the work of 19 graduating seniors in the Tisch Department of Photography & Imaging
Collaboration between Pato Hebert, Hetrick-Martin Institute, Anooj Bhandari and groups of young queer people of color from HMI and NYU
Official Selection, busho, budapest short film festival. Screening includes 2017 OSCAR winner. Meet the curator- apply for this year's festival.
Kimchi, SXSW 2018 Shorts Competition, Written and directed by Jackson Segars (UGFTV 2011)
Come join ITP and the Clive Davis Institute of Recorded Music as they put together a space for creative and spontaneous collaboration.
BLACK PORTRAITURE[S] IV: The Color of Silence is the eighth conference in a series of conversations about imaging the black body. We invite artists, activists, and scholars to reflect on the visual expressions of national imaginaries and political ideologies that negate racial differences and render black subjects invisible. Such ideologies are prevalent in Latin America and the Caribbean, where metaphors of mixture (mestizaje or mestiçagem) and racial harmony ignore inequality and discrimination. Similar formulations are to be found elsewhere, however, as in republican France, or among proponents of a post-racial United States, or in references to a South African “rainbow nation”, or in Jamaica’s well-known “out of many, one people” motto. Presenters will engage a range of historical and contemporary topics such as biennales, exhibitions, movements, individual artists and collectives, art markets, politics, tourism, sites of memory, Afrofuturism, fashion, dance, music, film, art, and photography. We invite papers and panel proposals on relevant topics.
Attend a specialized Commedia dell'Arte acting workshop with Jim Calder on Friday, March 23, 2018.
Collaboration between Pato Hebert, Hetrick-Martin Institute, Anooj Bhandari and groups of young queer people of color from HMI and NYU
BLACK PORTRAITURE[S] IV: The Color of Silence is the eighth conference in a series of conversations about imaging the black body. We invite artists, activists, and scholars to reflect on the visual expressions of national imaginaries and political ideologies that negate racial differences and render black subjects invisible. Such ideologies are prevalent in Latin America and the Caribbean, where metaphors of mixture (mestizaje or mestiçagem) and racial harmony ignore inequality and discrimination. Similar formulations are to be found elsewhere, however, as in republican France, or among proponents of a post-racial United States, or in references to a South African “rainbow nation”, or in Jamaica’s well-known “out of many, one people” motto. Presenters will engage a range of historical and contemporary topics such as biennales, exhibitions, movements, individual artists and collectives, art markets, politics, tourism, sites of memory, Afrofuturism, fashion, dance, music, film, art, and photography. We invite papers and panel proposals on relevant topics.
Collaboration between Pato Hebert, Hetrick-Martin Institute, Anooj Bhandari and groups of young queer people of color from HMI and NYU
Collaboration between Pato Hebert, Hetrick-Martin Institute, Anooj Bhandari and groups of young queer people of color from HMI and NYU
A Lunchtime Workshop Series with Dr. Marta Moreno Vega, President and Founder Caribbean Cultural Center African Diaspora Institute, Adjunct Professor Department of Art & Public Policy, NYU Tisch School of the Arts. These talks will engage students in the participatory process of defining voice and developing a creative public project addressing the public discourse of now.
A Conversation with Stephanie Cunningham - Museum Hue Co-Founder and Creative Director, and Dr. Marta Moreno Vega - President and Founder Caribbean Cultural Center African Diaspora Institute, Adjunct Professor Dept. of Art & Public Policy, NYU Tisch School of the Arts
Students in the Moving Image Archiving and Preservation (MIAP) program will present their M.A. thesis projects.
Collaboration between Pato Hebert, Hetrick-Martin Institute, Anooj Bhandari and groups of young queer people of color from HMI and NYU
Our Second Year students will be putting on a Quick & Dirty Thesis Show to present their work in it's early stages!
The Family of Man, a pioneering exhibition of photography designed by Edward Steichen that began life at the Museum of Modern Art in 1955, and that was then seen by millions of people in dozens of countries all over the world, was the most successful photographic exhibition of all time; it has also remained a source of contentious debate and controversy among critics and academics down to the present day.
Collaboration between Pato Hebert, Hetrick-Martin Institute, Anooj Bhandari and groups of young queer people of color from HMI and NYU
Students in the Moving Image Archiving and Preservation (MIAP) program will present their M.A. thesis projects.
UGFTV Alumnus, Alexa Lim Haas: Discusses her journey as a director, SXSW Animated Shorts Jury Award Winner for Agua Viva in Animation: From Pitching to Production to Pipelines course. All Welcome!
Collaboration between Pato Hebert, Hetrick-Martin Institute, Anooj Bhandari and groups of young queer people of color from HMI and NYU
Directed by Wim Wenders. Submergence is a love story that takes us into the extremely different worlds of our two protagonists, Danielle Flinders (Alicia Vikander) and James More (James McAvoy).
Co-sponsored by the Department of Performance Studies and NYU Skirball, Gob Squad returns to Skirball from March 29-31 and sets their sights on Tolstoy's "War and Peace".
An exhibition featuring works in photography, digital imaging, and multimedia by 22 graduating seniors from the Department of Photography and Imaging, Class of 2018. SHOW TWO is the second and last of BFA exhibitions of the work of the entire graduating Photography and Imaging class.
Collaboration between Pato Hebert, Hetrick-Martin Institute, Anooj Bhandari and groups of young queer people of color from HMI and NYU
Shunya Yoshimi is Professor of Sociology, Media and Cultural Studies, Interfaculty Initiative in Information Studies at University of Tokyo. Co-sponsored by the Department of East Asian Studies and the Asian Film and Media Initiative.
Co-sponsored by the Department of Performance Studies and NYU Skirball, Gob Squad returns to Skirball from March 29-31 and sets their sights on Tolstoy's "War and Peace".
An exhibition featuring works in photography, digital imaging, and multimedia by 22 graduating seniors from the Department of Photography and Imaging, Class of 2018. SHOW TWO is the second and last of BFA exhibitions of the work of the entire graduating Photography and Imaging class.
Collaboration between Pato Hebert, Hetrick-Martin Institute, Anooj Bhandari and groups of young queer people of color from HMI and NYU
Co-sponsored by the Department of Performance Studies and NYU Skirball, Gob Squad returns to Skirball from March 29-31 and sets their sights on Tolstoy's "War and Peace".
An exhibition featuring works in photography, digital imaging, and multimedia by 22 graduating seniors from the Department of Photography and Imaging, Class of 2018. SHOW TWO is the second and last of BFA exhibitions of the work of the entire graduating Photography and Imaging class.