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In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.
Join us at ITP as Ultimaker visits for it's first educator workshop of the year. Registration is required.
Artistic research — the idea that artistic and embodied practices not only draw upon but also generate knowledge — is increasingly common globally, but remains marginal in the United States. What is at stake in the claim that artistic and embodied practice can be research? What possibilities might be opened by such a claim and what legitimate resistances exist? This panel of scholar-practitioners and artist-researchers will discuss the relationships between practice and research in their own work, how they navigate diverse epistemologies across academic and artistic institutions, and what possible futures they envision.
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.
How did Hollywood cinema reflect, deflect, influence, inspire, and steal from modernism’s new aesthetics? Chance at Heaven (RKO, 1933) provides a way of thinking through that question. Directed by William Seiter with art direction by Van Nest Polglase and Perry Ferguson; starring Joel McCrea, Ginger Rogers, and Marian Nixon; with commentary by Drake Stutesman, Adjunct Professor of Cinema Studies (TSOA) and Costume Studies (Steinhardt), NYU. Film screening co-sponsored by NYU Cinema Studies and the Grey Art Gallery as part of the exhibition Partners in Design: Alfred H. Barr Jr. and Philip Johnson.
A celebration of International Day of the Girl, the Clive Davis Institute of Recorded Music, in partnership with ROLI, presents a multi-purpose talkback-meets-demo session called MAKE ART.
Join us at ITP in welcoming Mike and Eddie, the co-founders of Spot, a suite of social apps to help people better connect in the physical world.
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.
Screening of Andrea Mastrovito's NYsferatu, which reanimates Murnau's classic silent film, Nosferatu, as an allegory for the immigration crisis. Followed by a roundtable with the artist and scholars Angela Zito (NYU Center for Religion and Media) and Simran Jeet Singh (Henry R. Luce Fellow, Center for Religion and Media). Co-sponsored by The Center for Religion and Media and the Department of Cinema Studies.
ITP will be hosting a Open House where prospective students can tour the department and ask questions about the program and admissions process.
Joanne Steinhardt, creator of 'The Cookbook Project' will open discussion on the role our emotional connection to food plays in processes of creation, communication, and marketing. She will also show everyone how to make their own zine.
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.
In an era of “fake news” and “alternative facts,” Bending The Frame, based upon a book of the same name by Fred Ritchin, presents a variety of image-based strategies from documentary photography and visual journalism that, when combined with contemporary art practices, “bend the frame” with the intention of creating greater social impact and a wider discussion that may then lead to social change.
Re-imagining A Safe Space, co-curated by Deborah Willis and Melissa Harris, will explore critical questions regarding the idea of a safe space. We hope to reach deeper and richer understanding of our needs as a public—and how those needs differ depending on demographics and who we are individually.