Zalika Azim, still from Blood Memories (or a going to ground), 2023. Single-channel video, 17:07 min. Courtesy of the artist.
On View October 23, 2025 - March 7, 2026
Visual Arts Center
2301 San Jacinto Blvd
Austin, TX 78712
Zalika Azim uses multiple forms—photography, sculpture, performance, printmaking and sound—to recontextualize established narratives surrounding Black movement and placemaking. Bringing together new and recent works made during residencies in New York, Austin, and Omaha, Blood Memories (or a going to ground) grapples with questions of belonging by proposing an examination of the spaces between departure and arrival. For Azim, these interstitial spaces are not simply physical gaps to be traversed; rather, they represent a speculative phenomenon that connects personal and collective histories across time.
Anchored by a series of works that examine movement as a form of embodied archiving, the exhibition considers gesture as an act of resistance against visible and invisible adversaries that enact Black erasure. In Azim’s installations Score I (Studies for Gravity) (2022) as well as the multimedia installation for which this exhibition is named, Blood Memories (or a going to ground) (2023/25), bodies explore endurance; repetition, and slowness; they attempt to defy gravity’s hold, forging a vocabulary for reimagining liberatory action. In her series Photographs Not Taken (2022–), Azim recounts histories of Black settlement and migration through text vignettes, demonstrating how oral tradition, memory, and embodied knowledge have served as a means to expand the constellation of Black histories and communicate narratives that follow intersecting and often conflicting timelines.
Blood Memories (or a going to ground) also includes a series of site-specific sculptures and photographs that connect histories of Black placemaking in Austin’s freedmen towns to the contemporary conditions that reflect and inform Black life in Central Texas and throughout the United States. These newly commissioned works offer a local context for matters of displacement, legacy, and cultural imagination that inspire Azim’s practice. Together, Azim’s work proposes strategies to counter historical forces of dispossession and systemic attempts to erase Black communities, offering pathways for creating and reclaiming spaces of belonging.
Blood Memories (or a going to ground) represents Azim’s first solo exhibition at a university arts center and is the culmination of two Visual Arts Center-sponsored artist residencies, The St. Elmo Arts Residency and the VAC Every Page Foundation Artist Residency. Blood Memories is complemented by a publication, resource library, and a series of public programs, including a new performance work created in collaboration with UT students, staff, and faculty.
Zalika Azim: Blood Memories (or a going to ground) is organized by Max Fields, VAC Director.
Support for Zalika Azim: Blood Memories (or a going to ground) is provided by the Every Page Foundation and the St. Elmo Arts Residency.