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PS M.A. CANDIDATE, MONIKA BŁASZCZAK, RECEIVES YOUNG POLAND AWARD
Wednesday, Apr 24, 2024
PS M.A. Candidate, Monika Błaszczak, receives Young Poland Award
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PS Alum, Kristen Kelso, directs Gidion's Knot by Johnna Adams at The Chain Theatre
Tuesday, Apr 23, 2024
PS Alum, Kristen Kelso, directs Gidion's Knot by Johnna Adams at The Chain Theatre
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PS PhD Candidate, Isaac Silber, Awarded the GSAS Predoctoral Summer Fellowship
Wednesday, Apr 17, 2024
PS Ph.D. candidate, Isaac Silber (he/they), has been awarded the GSAS Predoctoral Summer Fellowship.
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PS Alum, Bess Rowen, Interviewed by NPR on theater activism
Tuesday, Apr 9, 2024
PS alum, Bess Rowen (M.A. '11), was recently interviewed by Chloe Veltman, correspondent on NPR's Culture Desk.
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PS Alum, Theo J. Malloy's first novel, THE HERETIC PRINCE, is OUT NOW!
Thursday, Apr 4, 2024
PS Alum Theo J. Malloy’s first novel, The Heretic Prince, is now available on all major platforms, in paperback and digital formats (through IngramSpark)!
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PS Alum, Ashton Tibbitt, premieres their original opera as part of The Climate Opera Project at BAM
Wednesday, Apr 3, 2024
PS Alum, Ashton Tibbitt, premieres their original opera as part of The Climate Opera Project at BAM
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PS M.A. Candidate, Sujin Moon, presents Musical at the Theaterlab
Tuesday, Apr 2, 2024
PS M.A. Candidate, Sujin Moon, presents Musical at the Theaterlab
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PS Alum, Tara Aisha Willis, will be performing at The Poetry Project
Tuesday, Mar 26, 2024
PS Alum, Tara Aisha Willis (Ph.D. '22) will be performing at The Poetry Project at St. Mark's Church-on-the-Bowery on April 12th in collaboration with Damon Locks, curated by PhD alum, Ethan Philbrick.
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PS Ph.D. candidate, Miro Spinelli, reperformed "Pancake" by Brazilian visual artist Márcia X at MAM Rio
Wednesday, Mar 20, 2024
He was invited by the Museum of Modern Art in Rio de Janeiro (MAM) to perform X's piece for the first time since her passing in 2005.
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PS Alum, Biba Bell, featured in The New York Times
Tuesday, Mar 19, 2024
PS alum, Biba Bell (M.A. '07, Ph.D. '15), has been featured rehearsing John Cage’s Europeras 3 & 4 in a photograph captured by Brittany Greeson, in a recent New York Times article titled ‘As Living as Opera Can Get’: John Cage’s Anarchic Anti-Canon.
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