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PhD Research Profiles

  • Neta Alexander

    Digital Dams: Connected Viewing and its Discontents

    As an ABD doctoral student at NYU I’m currently writing a dissertation on streaming technologies through the lens of failure, disruption, and digital “noise” (co-advised by Anna McCarthy and Nicole Starosielski).

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  • Lukas Brasiskis

    Between Two Regimes of Historicity: Materiality and Chronotopes of Memory in Post-Soviet Eastern European Films and Video Art

    In my dissertation I hypothesize that an emphasis on material constituents of a cinematic chronotope enables us to re-examine and re-consider historical and mnemonic changes in Eastern Europe as they are represented on screen. Instead of focusing on representations of dominant historical narratives, in my research I pay attention to roles images of material and non-human agents play in fiction, non-fiction and experimental films produced in the period of the Soviet-to-post-Soviet transition.

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  • Nathaniel Brennan

    Film Theory and Wartime Intelligence: Research and Analysis at the Museum of Modern Art Film Library during World War II

    My research focuses on the social, cultural, and intellectual histories of cinema in the United States during the first half of the twentieth century. My dissertation explores the collaboration between the Museum of Modern Art Film Library and the federal government to derive useful intelligence from (primarily) captured enemy cinema during World War II.

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  • Ting-Wu Cho

    Taiwan Pulp! The Emergence and Consumption of The Trans-Asian Exploitation Film (1970s-1980s)

    The research investigates the emergence of "Taiwan pulp," a group of low-budget exploitation films that contested the state censorship with the sensational, and its relationship with cinema cultures and industries in various Asian countries as a consequence of the geopolitics of the Cold War.

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  • Hadi Gharabaghi

    Governing Asia through Documentary Memoranda (1947-1952)

    I investigate transnational production culture and genealogy behind expert filmmaking advice and infrastructural organization involved in the planning of global imperial documentary film operations by the United States Information Agency.

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  • Tanya Goldman

    Radical Distribution: Tom Brandon, Alternative Film, and American Culture, 1931-1968

    My research broadly focuses on mid-twentieth century nonfiction film and its history as a mode of political and cultural practice. My dissertation considers these questions via the career of American nontheatrical film distributor Tom Brandon, an influential figure behind documentary and art film circulation from the 1930s to 1970s.

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  • Leo Goldsmith

    The Fragmented Screen: Found Footage, Image Circulation, and Media Materiality

    My research examines the ways in which found footage constitutes a sustained discourse about the role of the moving-image in the constitution and shaping of everyday experience, one carried out through an investigation of the evolving materiality of its media.

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  • Artel Great

    The Black Pack: Media Authorship & The Cultural Politics of Hollywood Rebellion

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  • Bruno Guarana

    From the Margins: Negotiating Cultural Citizenship through Contemporary Brazilian Media

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  • Linnéa Hussein

    Documenting Schizophrenia: The Scientific Gaze, Personal Testimonies, and Medical Training

    The aim of this dissertation is to explore how the images, performances, and narratives of schizophrenia we find in clinical representations often resonate with fictional or aestheticized sources.

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  • Kartik Nair

    The Bombay Horror Film (1977–1992): Genre Pictures, Media Infrastructures and Global Popular Culture in 1980s’ India

    My dissertation ‘The Bombay Horror Film’ is about the production, regulation, and exhibition of low-budget horror films made in the Bombay film industry between the late 1970s and the early 1990s.

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  • Jose Miguel Palacios


    This research project examines the aesthetics and politics of a body of exilic filmmaking—Chilean exile cinema—as well as its conditions of production, circulation, and reception.

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  • Cortland Rankin

    Two Tales of a City: New York’s Cinemas of Crisis and Reappropriation, 1965-85

    My dissertation traces two parallel cinematic traditions, which include mainstream Hollywood, independent narrative, documentary, and avant-garde films, that interpreted the historical conditions of New York City from the mid-1960s through the mid-1980s in radically different manners.

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  • Adam Segal

    Quality TV in the Multichannel Era

  • Priyanjali Sen

    The Influence of Literary Culture on post-independence Bengali Cinema (1947-67)

    My dissertation focuses on the formulation of a literary poetics of Bengali cinema, based on the role of early twentieth century Bengali literary culture in shaping and defining post-independence Bengali cinema (1947-67).

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  • Raymond Tsang

    Wu/xia: law Outside of Law - Socio-cultural History of Martial Arts Cinemas from the 1950s to the Early 70s

    The research will shed light on those understudied Hong Kong martial arts films from 1950s to the early 1970s. It argues martial arts cinema and other cultural practices in that period paved the way to contributing the myth of maintaining law and order, and stability and prosperity in the mid 1970s - making the core value of Hong Kong from which spawned the predicament of postcolonial Hong Kong.

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  • Jaap Verheul

    Identity Soup: Producing Popular Cinema in a Europe of Many

    My dissertation demonstrates that, by the early 2000s, the European Union’s (EU) audiovisual policies, designed to establish a supra-national framework for film production and distribution, increasingly reflected the antagonism between the unification, and deregulation, of the EU’s audiovisual sector and the cultural and economic sovereignty of its member states.

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  • Maria Vinogradova

    Amateur Cinema in the Soviet Union (1957 - 1991): History, Ideology and Culture

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  • Sylvie Vitaglione

    On site: Location Shooting in Contemporary Screendance

    Sylvie Vitaglione's dissertation investigates location shooting and site-specific choreographic practices in contemporary dance films.

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