This photography series examines the tension between societal expectations of women and their internal struggles to reconcile these pressures with a true sense of self. Through symbolic props—mirrors, yarns, threads, and veils—the work highlights the emotional turmoil women endure under societal norms. Inspired by experiences in Chinese society and Jean-Paul Sartre's concept that ""Hell is other people,"" the project explores how external judgment creates cycles of self-doubt, forcing women to conform to prescribed roles rather than embrace their authentic identities.
A complementary 3D animation video extends this exploration by depicting a progression from constraint to liberation in three stages. The first scene presents man-made restrictions: societal norms and institutions that limit women's agency. The second represents natural constraints, reflecting internalized struggles and ""natural"" roles that reinforce these limitations. The final scene transitions to empowerment, illustrating a reclamation of identity as women break free from these forces. This journey calls for self-liberation, urging women to question societal roles and embrace vulnerability and strength.
This work wants to offers a message of hope and inspiration, urging women to stand true to themselves in the face of societal pressures. It is a call to action, encouraging women to embrace their authentic identities and challenge societal norms.
