Wednesday, Feb 9, 2022
Paul Tazewell, an alum of the Design for Stage and Film, has been nominated for an Academy Award for best costume design for “West Side Story."
Read MoreTuesday, Feb 1, 2022
Justin Townsend announced as the incoming chair of the Design for Stage and Film Program at NYU Tisch School of the Arts
Read MoreMonday, Nov 22, 2021
The American Opera Project, in partnership with NYU Tisch School of the Arts Graduate Musical Theatre Writing Program and The Department of Design for Stage & Film will present UNDISCOVERED COUNTRIES, a series of three 30-minute filmed operas written in response to the chaotic, momentous year 2020.
Read MoreSunday, Nov 7, 2021
In the summer of 1977, alumnae Hinda Miller ’76 (MFA, Design for Stage & Film), Polly Smith ’75 (MFA, Design for Stage & Film), and Polly’s friend Lisa Lindahl found themselves seeking an answer to a question that had never been addressed before: Why isn’t there a comfortable bra for female runners?
Read MoreMonday, Oct 4, 2021
Find out how set designer Mimi Lien's vision of The GREEN at Lincoln Center became a reality in this special mini documentary!
Read MoreWednesday, Sep 15, 2021
The next phase of the project thus far includes two artists for the 2021-22 season: The director and writer Abigail Jean-Baptiste and the scenic designer Kimie Nishikawa.
Read MoreThursday, Apr 29, 2021
Our Costume Studio III class, taught by Constance Hoffman, took a socially distant trip to Loop of the Loom this week!
Read MoreWednesday, Apr 14, 2021
After five years of developing and producing short operas for live performance, this year the NYU/Tisch Opera Lab moves into the realm of film. In collaboration with a team of designers, the pieces are being envisioned specifically for the filmed medium.
Read MoreTuesday, Mar 16, 2021
Stuart Wurtzel won a Lifetime Achievement Award at the 2021 25th Annual Art Directors Guild Awards!
Read MoreThursday, Feb 4, 2021
“I think it’s impossible to predict what sitting in a theater will be like in a year or two from now because there are so many factors at play,” says Laurence Maslon, a theater scholar and associate chair of NYU’s graduate acting program. “The great thing about these experiments is that they’re making the best out of what’s within our control and honoring what’s not.”
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