Emaline, a programmer at a sexbot factory, embarks on a road trip with her creation, Emmie, in order to release her to a rogue colony of escaped sexbots. A feminist twist on films such as Ex Machina and Her with enough salaciousness to keep a male audience engaged.
Hannah is a graduate from the Tisch School of the Arts where she majored in Dramatic Writing with a concentration in screenwriting. Most recently she ghostwrote a young adult novel about imperialist China, in which she did her best not to over- appropriate. She writes to work out the dichotomies of her psyche. Most of her screenplays and prose are too prurient to see the light of day—she was once deemed highly inappropriate at best.