No where else in the world can you find the range of disciplines in one school. Over the last 50 years as we forged new programs, built our home in New York and expanded to our global academic centers, institutes emerged. Each are built with shared values, common goals, and a priority for putting students first. The result – a place where artists and scholars create the future.
Visiting students and non-majors are invited to take classes during January Term, Spring at Tisch, and Summer. Earn credits towards your major or minor, build your résumé with an internship, or take classes to change careers. Come be inspired by New York City and our international sites.
The Office of Special Programs at Tisch School of the Arts provides access to the arts. Whether you’re an NYU or visiting college student, high school student or working professional, we provide you with the introductory exposure to the performing or cinematic arts and the advanced-level training to grow your craft.
The Cinema Studies Department regularly hosts events that include lectures, screenings, and discussions, including our Wednesday Night Series, which is open to the public. To receive emails about upcoming film-related events within and outside the deparment, feel free to subscribe to our Cinema Studies announcements listserv!
To view past events, check out our Event History page.
To access events only open to Tisch community members, use your NYU NetID to log in.
Join us for a weekend of conversation! Keynote address by Thomas Elsaesser, Professor Emeritus at the Department of Media and Culture of the University of Amsterdam and Visiting Professor at Columbia University.
Cinematic Labyrinths: Interactive and Immersive Storytelling by The Kissinger Twins, who present their interactive and immersive storytelling projects made between 2002 and 2017.
A talk by Michael Gillespie (PhD 2007). The talk will consider the idea of black film in the terms of film blackness with attention to death and film form. With a focus on a cluster of short films, the talk poses new critical prerogatives for the idea of black film in our contemporary moment. Part of CS50.